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Aside from the hypnotic singles “Mirrors,” “Wonderland” and “Free” featuring her boss and Black Eyed Peas kingpin, truth is Natalia Kills doesn’t provide one moment of filler material. It’s like this sexy songstress is a walking, breathing hit factory. Even records with more eerie titles, such as the mainstream-flavored “Love Is A Suicide” and the seductive “Zombie,” are dangerously catchy. In fact, those two might be the best on the entire album.

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